No0B Posted April 14, 2022 Share Posted April 14, 2022 In the audiophile community equalizers are very prevalent to fix up flaws in the frequency response of ear/headphones and to a point remove the room as a variable in an audio setup, or simply to make the listening experience more enjoyable. For example, there are people with measuring rigs who measure all kinds of headphones and craft equalization profiles that model the device towards a target frequency curve. One such list is oratory1990's list of presets. You can potentially find your headphone(s) there and give it a try. Dave2D's recent video on the state of Windows laptop speakers in comparison to MacBooks prompted me to try to apply an equalizer to the speakers of my Windows laptop (a Late 2019 Razer Blade 15 Advanced) and try to get a MacBook-esque sound signature out of them. I compared to a 2018 MacBook Pro 15". The equalization profiles mentioned above can be accurately reproduced using Equalizer APO, a Windows software that allows you to apply sound effects to audio devices, meaning globally to all system sounds. This includes complex VST effects, but we'll focus on the equalization aspect, which is built-in. Download Equalizer APO here: https://sourceforge.net/projects/equalizerapo/ And you'll need a bit of time. Maybe an hour if you don't have experience EQing things. 1. Expectations Of course, we can't trick physics. So first of all, let's get our expectations straight. In any case, you're not going to get audiophile levels of sound from either the MacBook, or from your laptop. Take my Blade 15 and the MacBook for example. Let's compare the speaker assemblies. The MacBook not only has larger speaker assemblies, but also features passive radiators that help the speakers reach into lower frequencies than the Blade. While bass is far from everything that makes a good audio setup, it's one of the major factors that separates Windows laptops from MacBooks in terms of sound signature. Now, let's take a listen to the Razer Blade 15 and the MacBook Pro. Unfortunately I only have a mono microphone at the moment, so we can't compare the stereo image, but it gives us an idea of the frequency response. I placed a Rode NT-USB microphone precisely 30cm from the closest point of the speaker grills. When listening, keep in mind that this microphone doesn't have a perfectly flat frequency response, and your listening device will obviously also influence what you hear. But you'll get a rough idea for where we are and where we're headed. 2. Before I've selected some music tracks from various genres that I consider well recorded and have heard on tons of audio equipment, cheap and expensive, good and bad. The links should spawn an audio player in your browser, or at least download an AAC file immediately. Unfortunately, the 4.88MB total file size limit is not enough to share all the audio clips here via the forum. Bullmark - Tulip Waltz Spoiler From the incredibly funky soundtrack of Interstate '76, an Activision-developed combat racing game from 1997. We expect the mid frequencies to be controlled and not get out of hand. Listen for the cowbell at the beginning. We also want the bass guitar to give the track lots of warmth. Original Razer Blade 15 MacBook Pro Cro-Magnon - Bowl Man Spoiler From a complementary soundtrack album of the 2011 anime Hyouge Mono. While this track is well-mixed, because of the many things going on at the same time, lower-end audio devices struggle to reproduce this one well. I've only heard this one really shine on headphones and speakers that are generally considered high quality. Original Razer Blade 15 MacBook Pro Daft Punk - Get Lucky Spoiler An exquisitely mixed and mastered track from the popular 2013 album Random Access Memories. Sounds good on pretty much everything. Personally, on the same level as Michael Jackson's Thriller album, which in my opinion is flawless in the technical sense. Original Razer Blade 15 MacBook Pro Hiatus Kaiyote - Breathing Underwater Spoiler Good example for female vocals from the 2015 album Choose Your Weapon. We're especially listening for the lower frequencies of Nai Palm's voice that make her sound close to us, as well as for how the hi-hats are controlled, so they don't overpower the sound. Original Razer Blade 15 MacBook Pro Justice - Genesis Spoiler Powerful electronic track from the 2007 album †. We want to hear this one bangin'. We want good bass extension for the kick to have the most impact, and also hear the high-frequency detail in the aggressive synths. Original Razer Blade 15 MacBook Pro Sun Kil Moon - Heron Blue Spoiler A melancholic example of male vocals from the 2008 album April. I specifically chose the part where the very low sub bass rumble kicks in. For the track to unfold its potential, we want to hear some semblance of it. But with laptop speakers, we can't expect too much. Original Razer Blade 15 MacBook Pro Squad War Sounds Spoiler From Offworld Industries' 2015 game Squad, which features a quite convincing sounding soundscape that also supports surround audio setups. This might represent some kind of gaming situation. Original Razer Blade 15 MacBook Pro 3. Setting up Equalizer APO So, as you can hear from the example recordings, my Razer Blade 15 sounds very tinny compared to the MacBook Pro. While the lack of lower mid frequencies and below make vocals sound flat and distant, they sound passable, but that's the only thing it has going for it. The upper mid frequencies are somewhat exaggerated, resulting in an extremely shouty sound that may be workable, but not enjoyable. We can fix this using Equalizer APO. Download and install Equalizer APO from the link above. Allow it to create shortcuts in the start menu for convenience. After successfully installing, you'll be asked to select which audio devices you want to apply Equalizer APO to. My Razer Blade 15 has a Realtek audio chip and the respective driver, so I went with only the Realtek output device. Don't need an EQ on my microphone yet. You should be prompted to reboot the machine. After rebooting, Equalizer APO should be working in the background already. Find the Configuration Editor in the start menu and run it. You'll be greeted by the main window where you'll create your own custom equalizer profile. You can download my configuration file here as a starting point: config.txt This is the setup I ultimately came up with. The +/- buttons allow you to add and delete filters from the chain, you can reorder filters by dragging them by the currently grey areas with the numbers. As you can see, all changes to the volumes of each frequency are summarized in the graph at the bottom of the window. By default, this line is flat at 0dB, and all your shenanigans playing with the equalizer are reflected in it. Before you touch anything, I'd recommend turning the preamplification stage way down. Like -20dB or -30dB. Since the frequency response with tinny sounding speakers usually drops heavily around the 300-400Hz range (as was the case with my Razer Blade 15), you'll need to raise the lower frequencies considerably. Depending on the amplifier in your laptop, you can easily overdrive your speakers with this, and that can break stuff! You see, I've raised the bass frequencies more than 20dB in my case. The speakers in my laptop wouldn't have liked that without the preamp stage turned down beforehand. For the same reason I've lowered the very low bass frequencies into oblivion, so that the speakers don't even attempt to reproduce them. The speakers in my Razer Blade 15 seem to really roll off at around 120Hz. So anything below 60Hz is absolutely out of the question, and frankly I think that's too much to ask of such small speakers anyway. Now, get some music you like (ideally that's also well-recorded) and start tweaking! Generally speaking, you'll likely want to create a large hump in the bass frequency region, around 80-250Hz to get your speakers to sound fuller, then tweak the high frequencies to add a little bit of sparkle for the very high frequency noises, and lastly focus on the mid frequencies around 500-4000Hz. My Razer Blade 15 had a very shouty sound to it initially, which I calmed down a little by reducing the volume around 4000Hz. Depending on your laptop, this might be around 3000Hz, which is typically a range that's considered annoying. I've also reduced the volume around 1000Hz to model that part of the sound a little closer to the MacBook Pro, which sounds very relaxed and warm. After my adjustments I noticed that, obviously, while my laptop sounded way better, it was much quieter. So I've clicked the Normalize response button in the Graphic EQ to set the graph's highest point to 0dB. This will probably make your laptop incredibly quiet. So now is the time to raise the preamp to a comfortable level. As you can see in the screenshot above, the Analysis panel shows that I'm in the red. Basically, anything above 0dB will be distorted, because it's squished against the 0dB wall when the audio hardware in your laptop interprets the signal. I personally can't make out any distortion, despite a 5dB overdrive. I did it to raise the rest of the frequencies a little higher so that my laptop gets louder when I need it to. Again, keep in mind that lots of overdrive can cause trouble, or at least reduced sound quality. But that highly depends on the hardware. Usually, an audio compressor would be used to bring the volume of quieter and louder sounds closer together. As far as I've seen, Equalizer APO doesn't feature a built-in compressor, so this would need to be handled by a VST plugin, and those are usually a little CPU-heavy, so I left it out. 4. The result Again, let's hear the previously mentioned tracks, now with the equalizer tweaks on the Windows laptop. Bullmark - Tulip Waltz Spoiler Original Razer Blade 15 (with equalizer) MacBook Pro Cro-Magnon - Bowl Man Spoiler Original Razer Blade 15 (with equalizer) MacBook Pro Daft Punk - Get Lucky Spoiler Original Razer Blade 15 (with equalizer) MacBook Pro Hiatus Kaiyote - Breathing Underwater Spoiler Original Razer Blade 15 (with equalizer) MacBook Pro Justice - Genesis Spoiler Original Razer Blade 15 (with equalizer) MacBook Pro Sun Kil Moon - Heron Blue Spoiler Original Razer Blade 15 (with equalizer) MacBook Pro Squad War Sounds Spoiler Original Razer Blade 15 (with equalizer) MacBook Pro 5. Verdict Much better, isn't it? The tiny speakers in the Razer Blade 15 don't reach as low as the ones in the MacBook Pro, but they certainly can keep up. Of course, this is still nothing compared to a decent pair of speakers or headphones, but it'll be enough in a pinch! Of course, tweaking your laptop speakers like this comes with some drawbacks: It requires an Equalizer APO process running in the background. According to its own reporting, my configuration is very lightweight, utilizing around 0.5% of one CPU core With this small CPU load and your laptop's speakers being driven harder, battery life will shorten slightly It applies to the whole Windows audio device. If you plug in headphones, usually they'll be considered as the same Windows audio device, and you'll get your crazy EQ settings in your headphones. Realtek's driver has a setting that can split speakers and headphone outputs into separate devices, which somewhat alleviates this drawback, but makes audio setup more of a chore when you have some special needs or external audio hardware Your laptop will vibrate if the speakers within can reach low enough with decent volume, like 200Hz and lower. MacBooks do it, too, but it's just something to keep in mind Equalizer APO is Windows-only software. To do something similar in Linux, have a look at PulseEffects if your distro uses PulseAudio 3 Link to comment Share on other sites More sharing options...
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